This style celebrates the medium. It doesn't try to hide the fact that it is a digital 2D animation. By adding the "grain" and the "paper tear" edges, you give the viewer something visually complex to look at.

Known for her work with Pilobolus and her own choreography, Morgan’s motion is characterized by between individual and group shapes.

In the world of contemporary animation, few names resonate as strongly as Sarah Beth Morgan. A director, illustrator, and muralist, she has carved out a distinct niche by blending tactile textures with sophisticated storytelling. Her approach to design isn’t just about making things look pretty; it is about building a functional foundation that allows characters and environments to move seamlessly.