Screenshots
See it in action
A modern, intuitive interface designed for productivity.
Warning: May cause sudden urges to containerize everything.
A powerful, intuitive Docker platform. Free for homelabs, ready for enterprise.
We think you'll like it here.
SQLite by default, runs on a Raspberry Pi, zero telemetry, free forever. Self-host everything without the complexity.
OIDC/SSO included free, container activity logging, Git-based deployments, premium support. Everything your team needs without the enterprise price tag.
RBAC, LDAP/AD integration, compliance-grade audit logging, and priority support. Everything you need to satisfy compliance requirements.
One command. No config files. No setup wizards, no 47-page README.
docker run -d \
--name dockhand \
--restart unless-stopped \
-p 3000:3000 \
-v /var/run/docker.sock:/var/run/docker.sock \
-v dockhand_data:/app/data \
fnsys/dockhand:latestThen open http://localhost:3000. Or put it behind Traefik, Nginx, Caddy, a Kubernetes ingress, three load balancers, and a VPN tunnel. We don't judge.
Prefer Docker Compose?
services:
dockhand:
image: fnsys/dockhand:latest
container_name: dockhand
restart: unless-stopped
ports:
- 3000:3000
volumes:
- /var/run/docker.sock:/var/run/docker.sock
- dockhand_data:/app/data
volumes:
dockhand_data:Need PostgreSQL?
services:
postgres:
image: postgres:16-alpine
restart: unless-stopped
environment:
POSTGRES_USER: dockhand
POSTGRES_PASSWORD: changeme
POSTGRES_DB: dockhand
volumes:
- postgres_data:/var/lib/postgresql/data
dockhand:
image: fnsys/dockhand:latest
ports:
- 3000:3000
environment:
DATABASE_URL: postgres://dockhand:changeme@postgres:5432/dockhand
volumes:
- /var/run/docker.sock:/var/run/docker.sock
- dockhand_data:/app/data
depends_on:
- postgres
restart: unless-stopped
volumes:
postgres_data:
dockhand_data:From simple container operations to complex multi-environment deployments.
Even that one container you forgot about three months ago.
Authentication is free. RBAC is enterprise. No calculator required.
| Feature | Free | SMB | Enterprise |
|---|---|---|---|
| Unlimited environments | ✓ | ✓ | ✓ |
| Container & stack management | ✓ | ✓ | ✓ |
| Git repository integration | ✓ | ✓ | ✓ |
| Vulnerability scanning | ✓ | ✓ | ✓ |
| Local user accounts | ✓ | ✓ | ✓ |
| OIDC/SSO | ✓ | ✓ | ✓ |
| Multi-factor authentication | ✓ | ✓ | ✓ |
| Container activity log | ✓ | ✓ | ✓ |
| Commercial usage license | — | ✓ | ✓ |
| Premium support | — | ✓ | ✓ |
| Priority bug fixes | — | ✓ | ✓ |
| LDAP/Active Directory | — | — | ✓ |
| Role-based access control | — | — | ✓ |
| Environment-scoped permissions | — | — | ✓ |
| Audit logging (compliance) | — | — | ✓ |
| Price | $0 forever | $499/host/year | $1,499/host/year |
| Buy me a coffee |
Host = one machine running Dockhand. Volume discounts available for 5+ hosts.
No cloud dependencies, no telemetry, no data leaving your network. Solid base.
Paranoid? We prefer "security-conscious."
Dockhand runs entirely on your infrastructure. No SaaS, no cloud dependency, no vendor lock-in. Your data never touches our servers.
We don't phone home. No usage tracking, no analytics, no mysterious background connections. Your Docker environment stays private.
SQLite by default, optional PostgreSQL for HA. No Redis, no message queues. Simple deployment, minimal attack surface.
Scan your images for CVEs using Grype and Trivy. Identify security risks before deployment.
Safe-pull protection: During auto-updates, new images are pulled to a temporary tag and scanned before touching your running containers. If vulnerabilities exceed your criteria, the temp image is deleted and your container keeps running safely.
We don't trust pre-built base images. Dockhand builds its own OS layer from scratch using Wolfi packages via apko. Every package is explicitly declared in our Dockerfile - full transparency, zero mystery meat.
While others ship Alpine with 10+ CVEs, we obsess over our own image security. Because a Docker management tool with vulnerabilities is like a locksmith with a broken door. We scan ourselves too.
Our open-source Go agent lets you manage Docker hosts behind NAT, firewalls, or dynamic IPs. The agent initiates outbound connections to Dockhand - no exposed ports, no inbound firewall rules needed.
A modern, intuitive interface designed for productivity.
Warning: May cause sudden urges to containerize everything.
See what our users are saying.
"After trying Dockhand in my lab and comparing features toe to toe with other tools I am currently using, I can honestly say it is one of the best that I have used. It is extremely easy to use, intuitive, and it puts docker management tool security in focus where it should be."
"Perfect for my homelab. It's lightweight, actively maintained, and has all the features I need. Love the terminal access and real-time log streaming!"
"The LDAP integration was a game-changer for our team. Set it up in 10 minutes and now all our developers have proper access control."
"Dockhand wants to be a Portainer replacement, and it might already be there."
"Dockhand is bursting onto the scene with impressive force, bringing a breath of truly fresh air to a world that, let's be honest, had started to feel a bit stagnant."
"Dockhand is incredibly handy to have around."
"The easiest way I've found to manage and update Docker containers."
Free forever. No, really. No bait-and-switch.
Like it? Fuel the dev with caffeine.
For commercial use. Growing teams, happy CFOs.
When compliance asks "is it enterprise-ready?" and you want to say yes.
The aesthetic power of Cinemalines 3D lies in its minimalism and depth. Without the distraction of color saturation or complex shaders, the viewer’s attention is drawn to form and motion. This style often employs a "dark mode" aesthetic—glowing neon lines traversing a pitch-black void. This high-contrast environment creates an immediate sense of futurism, reminiscent of early 80s cyberpunk or the "holographic" interfaces seen in science fiction films. The lines act not just as boundaries of shapes, but as pathways of light. When animated, these lines simulate data streams or energy flows, suggesting that the object is not a static solid, but a dynamic entity constantly processing information.
From a technical standpoint, the "3D" aspect of Cinemalines is crucial. Unlike flat 2D line art, the addition of depth allows for sophisticated camera work. In a Cinemalines composition, the camera often sweeps through and around objects, highlighting the density of the "mesh." This motion creates a parallax effect that gives the viewer a tangible sense of scale. A simple cube becomes a monolith; a human face becomes a topographical map of polygons. This technique is often used in "tech-noir" visualizations, architectural conceptualizations, and automotive design reveals, where the goal is to communicate structure and engineering prowess rather than material finish.
In conclusion, Cinemalines 3D is more than just a rendering technique; it is a distinct visual philosophy. It strips the virtual world down to its underwear, celebrating the geometry that underpins our digital realities. By trading texture for transparency and polish for polygons, it creates a space that is simultaneously analytical and beautiful. As we move further into a future dominated by virtual and augmented realities, the aesthetic of the wireframe serves as a reminder that the beauty of the digital world often lies not in how well it mimics reality, but in how elegantly it constructs its own.
Get started in 30 seconds. No credit card required.
Finally, a UI that sparks joy.
The aesthetic power of Cinemalines 3D lies in its minimalism and depth. Without the distraction of color saturation or complex shaders, the viewer’s attention is drawn to form and motion. This style often employs a "dark mode" aesthetic—glowing neon lines traversing a pitch-black void. This high-contrast environment creates an immediate sense of futurism, reminiscent of early 80s cyberpunk or the "holographic" interfaces seen in science fiction films. The lines act not just as boundaries of shapes, but as pathways of light. When animated, these lines simulate data streams or energy flows, suggesting that the object is not a static solid, but a dynamic entity constantly processing information.
From a technical standpoint, the "3D" aspect of Cinemalines is crucial. Unlike flat 2D line art, the addition of depth allows for sophisticated camera work. In a Cinemalines composition, the camera often sweeps through and around objects, highlighting the density of the "mesh." This motion creates a parallax effect that gives the viewer a tangible sense of scale. A simple cube becomes a monolith; a human face becomes a topographical map of polygons. This technique is often used in "tech-noir" visualizations, architectural conceptualizations, and automotive design reveals, where the goal is to communicate structure and engineering prowess rather than material finish.
In conclusion, Cinemalines 3D is more than just a rendering technique; it is a distinct visual philosophy. It strips the virtual world down to its underwear, celebrating the geometry that underpins our digital realities. By trading texture for transparency and polish for polygons, it creates a space that is simultaneously analytical and beautiful. As we move further into a future dominated by virtual and augmented realities, the aesthetic of the wireframe serves as a reminder that the beauty of the digital world often lies not in how well it mimics reality, but in how elegantly it constructs its own.