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Data triangulation ensured methodological robustness. Ethical clearance was obtained from the University of Barcelona’s Institutional Review Board (IRB‑2025‑04‑07).
Interviews reveal that participants perceive Durante’s work as a “living archive” —a dynamic repository of Basque culture that evolves through digital interaction. Many expressed that the hybrid format lowered barriers to entry, allowing non‑speakers to experience Euskara through multimodal cues (audio, visual, tactile).
| Theme | Key Works | Relevance to Durante | |-------|-----------|----------------------| | | Ortiz‑de‑Zárate (2011); Arrieta (2015) | Situates Durante within the post‑Franco resurgence of Euskara literature. | | Oral Tradition & Narrative Theory | Lévi‑Strauss (1963) The Raw and the Cooked ; Finnegan (1992) Oral Traditions and the Verbal Arts | Provides a lens for tracing mythic motifs in Durante’s prose. | | Digital Humanities & Minority Languages | Jones & Al‑Saadi (2019); García‑López (2021) | Offers methodological tools for analyzing hypertexts and interactive media. | | Identity Politics in Peripheral Literatures | Hall (1996) Cultural Identity and Diaspora ; Bhabha (1994) The Location of Culture | Frames Durante’s self‑positioning as a “cultural mediator.” | | Hybrid Narrative Forms | McHale (1999) Postmodernist Fiction ; Ryan (2015) Narrative as Performance | Illuminates the interplay of metafiction and performance in her plays. |
Idoia Durán's remarkable career spans over two decades, during which she has written numerous books, articles, and documentaries on various topics related to nature, culture, and adventure. Some of her most notable works include:
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Data triangulation ensured methodological robustness. Ethical clearance was obtained from the University of Barcelona’s Institutional Review Board (IRB‑2025‑04‑07).
Interviews reveal that participants perceive Durante’s work as a “living archive” —a dynamic repository of Basque culture that evolves through digital interaction. Many expressed that the hybrid format lowered barriers to entry, allowing non‑speakers to experience Euskara through multimodal cues (audio, visual, tactile). idoia durante
| Theme | Key Works | Relevance to Durante | |-------|-----------|----------------------| | | Ortiz‑de‑Zárate (2011); Arrieta (2015) | Situates Durante within the post‑Franco resurgence of Euskara literature. | | Oral Tradition & Narrative Theory | Lévi‑Strauss (1963) The Raw and the Cooked ; Finnegan (1992) Oral Traditions and the Verbal Arts | Provides a lens for tracing mythic motifs in Durante’s prose. | | Digital Humanities & Minority Languages | Jones & Al‑Saadi (2019); García‑López (2021) | Offers methodological tools for analyzing hypertexts and interactive media. | | Identity Politics in Peripheral Literatures | Hall (1996) Cultural Identity and Diaspora ; Bhabha (1994) The Location of Culture | Frames Durante’s self‑positioning as a “cultural mediator.” | | Hybrid Narrative Forms | McHale (1999) Postmodernist Fiction ; Ryan (2015) Narrative as Performance | Illuminates the interplay of metafiction and performance in her plays. | Data triangulation ensured methodological robustness
Idoia Durán's remarkable career spans over two decades, during which she has written numerous books, articles, and documentaries on various topics related to nature, culture, and adventure. Some of her most notable works include: Many expressed that the hybrid format lowered barriers
