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This paper analyzes the third episode of BBC’s Robin Hood (2006), focusing on its reworking of the classic outlaw legend for a post-watershed family audience. It examines how the episode introduces the Sheriff of Nottingham’s corruption through the lens of medieval law enforcement, while positioning Robin as a populist hero. The episode’s title — a clear nod to Bob Marley — signals a political reading: the “shooting” of the Sheriff is metaphorical, representing the shooting down of unjust authority. Through character dynamics, dialogue, and visual storytelling, this paper argues that the episode reframes the Robin Hood myth as a critique of modern surveillance, policing, and economic exploitation disguised as historical fiction.

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