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The rise of hyper-masculine icons like Sylvester Stallone (Rambo) and Arnold Schwarzenegger (Commando) represented a muscular foreign policy. These films often featured lone individuals overcoming vast bureaucratic or foreign obstacles, echoing Reagan's rhetoric on individual liberty and military strength.

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When his film career waned in the 1950s, Reagan reinvented himself on television. The rise of hyper-masculine icons like Sylvester Stallone