| Role | Scope | Impact | |------|-------|--------| | | Released two official MissAX singles (“Glitch Pulse”, “Solar Flare”). | Helped broaden MissAX’s reach into the Pacific Northwest indie‑scene; streams increased by ~15 % in that region after release. | | Creative Ambassador (2023‑Present) | Curates monthly “MissAX Spotlight” playlists; mentors participants in MissAX’s “Producer Bootcamp”. | Provides a pipeline for emerging talent; her curated playlists regularly rank in the platform’s top‑10 most‑played lists. | | Community Partner | Co‑creator of “SoundSeed” program, funded partially by MissAX’s “Social Impact” grant. | Directly aligns with MissAX’s mission to foster inclusive music education; over 200 students have completed the program to date. | | Live‑Event Contributor | Performed live‑set at MissAX Fest 2024 , incorporating real‑time visual mapping. | Demonstrated innovative audio‑visual integration, receiving praise from industry blogs (e.g., Mixmag , Resident Advisor ). |
| Work | Year | Format | Key Characteristics | |------|------|--------|----------------------| | | 2018 | Digital/Physical (vinyl limited) | Dreamy synth‑layers, lo‑fi drum programming, introspective lyrics. | | “Glitch Pulse” (Single) | 2021 | MissAX Records | Aggressive glitch‑hop beats, vocal chop hooks, heavy side‑chain compression—exemplifies MissAX’s “future‑pop” aesthetic. | | AudioLab YouTube Series | 2022‑2024 | Video | Short (5‑10 min) tutorials; notable episodes: “Layering Reverb for Space”, “DIY Sample Pack Creation”. | | “Solar Flare” (EP) | 2024 | MissAX Records | Blend of synth‑wave, ambient textures, and R&B‑styled vocal harmonies; track “Solar Flare (Midnight Mix)” featured in the indie film City Lights . | | MissAX Fest 2024 Live Set | 2024 | Live‑stream (Twitch, YouTube) | Real‑time Ableton performance with generative visuals; integrated audience‑driven MIDI triggers. | kenzie taylor missax
| Item | Details (as of 2026) | |------|----------------------| | | Kenzie Taylor (no middle name publicly listed) | | Date of Birth | 1998 – 1999 (estimated from graduation dates) | | Place of Birth | United States – most sources place her early life in the Pacific Northwest (Portland, OR area) | | Education | • B.A. in Audio Production & Sound Design – Portland State University (Class of 2020) • Minor in Digital Marketing | | Professional Focus | • Music production & songwriting • Audio branding for digital platforms • Community‑driven content creation (particularly for Gen‑Z audiences) | | Public Persona | Active on Instagram, TikTok, and SoundCloud; frequently posts behind‑the‑scenes studio clips, collaborative livestreams, and short‑form tutorials. | | Role | Scope | Impact | |------|-------|--------|
| # | Source | Type | |---|--------|------| | 1 | Kenzie Taylor – Instagram (@kenzietaylor) | Primary social‑media | | 2 | MissAX Press Release – “Taylor Joins as Creative Ambassador” (Nov 2023) | Corporate communication | | 3 | Pitchfork Review – Solar Flare EP (Mar 2024) | Music journalism | | 4 | The Seattle Times – “SoundSeed: Giving Kids a Soundtrack” (July 2025) | Newspaper feature | | 5 | YouTube – AudioLab Channel (2022‑2024) | Video content | | 6 | Mixmag – “MissAX Fest 2024 Review” (Oct 2024) | Online magazine | | 7 | Bandcamp – “Neon Dawn” EP (2018) | Direct release platform | | 8 | NAMM 2023 Panel Video – “Emerging Women in Electronic Production” (YouTube) | Conference recording | | 9 | SoundSeed Official Site – Program Overview (2025) | Non‑profit site | |10| MissAX Radio – “Taylor’s Curated Playlists” (2023‑2025) | Streaming platform data | | Provides a pipeline for emerging talent; her
(Compiled from publicly‑available information up to April 2026)