Because the budgets are smaller than Bollywood’s, the latest Marathi movies have to be smarter. You see a reliance on diegetic sound (sound that comes from the world of the film), long takes, and natural lighting. Directors like Nagraj Manjule and Ravi Jadhav have shown that you can create visuals that rival international standards by focusing on composition rather than CGI. This results in a raw, beautiful texture. A rainy street in Pune or a sugarcane field in Kolhapur is shot with such tactile intimacy that you can almost smell the wet earth.
The most interesting essay on contemporary Indian cinema cannot be written without dedicating a chapter to the latest Marathi wave. It is a cinema that has realized it cannot beat Bollywood at the game of "star power" or "song-and-dance," so it has decided to beat it at the game of truth . latest marathi movie