In a media landscape often criticized for being manufactured, their "content" feels less like a performance and more like a documentary on the American Dream, version 2.0.
These works share a preoccupation with — key themes in contemporary popular media discourse.
Critics (e.g., Film Threat , No Proscenium ) describe Rachel’s voice as “” — comparable to early Duplass brothers or Search Party .
In a media landscape often criticized for being manufactured, their "content" feels less like a performance and more like a documentary on the American Dream, version 2.0.
These works share a preoccupation with — key themes in contemporary popular media discourse.
Critics (e.g., Film Threat , No Proscenium ) describe Rachel’s voice as “” — comparable to early Duplass brothers or Search Party .